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Will pirates set your ebook price in the future?
From Wired I learn that a group of illegal filesharers has put out a manifesto outlining the conditions under which they will stop downloading films illegally. It made me wonder what movie pirates could teach us about setting an ebook price and combatting ebook piracy.
No one can speak for everyone who downloads content illegally but the manifesto — Don’t Make Me Steal — had been “signed” by 2,000 people on Twitter and 4,000 people on Facebook at the time of writing this post.
Making an ebook price palatable to readers
The illegal downloaders want payment to be to do with content, not bandwidth. The ebook price in the Kindle store is already for content, not bandwidth — either authors or Amazon pay the bandwidth cost depending on which royalty model is in play.
More relevant to setting an ebook price, the pirates want video download pricing to be transparent and for prices not to exceed a third of the cost of a cinema ticket. Here there is a clear parallel between this set of demands and the views of a vocal group of ebook readers. Both want to use an arbitrary benchmark of their choosing to divine a reasonable price for a digital item.
The authors of “Don’t Make Me Steal” (apparently we’re making them do it) see the reasonable cost of a download as being tied to the price of seeing the same thing in the cinema. Why? They don’t say. Ebook readers tend to see an ebook price as needing to be relative to (and substantially less than) the price of printed books. Why? Because they think they can divine the saving to publishers of not having to print, transport and warehouse books.
I saw this first hand in a running exchange I and other Kindle authors had with someone going by “Howard” in the comments section of Teleread. In that exchange Howard says he does not steal ebooks himself but nonetheless has insight into the thinking of thieves and would-be pirates:
What WILL motivate [readers] to get involved in [ebook piracy] is being charged excessive prices…
Online and offline it’s the right of consumers to decide not to pay a price they think is too high. The film pirates seem to argue they have an alternative right: the right to steal the content they think is over-priced. To the cheers of shoplifters everywhere, Howard declares stealing “excessively priced” ebooks to be “natural justice”.
People in Howard’s camp believe that all readers are qualified to determine the cost of producing a book and, therefore, determine what is a reasonable ebook price. It’s an extraordinary view. I write and publish books myself but I couldn’t begin to guess what every book on the planet cost to produce and presume to set the ebook price for every book. There’s certainly no way I could argue, as Howard does, that I’m qualified to judge the production cost of a commodity I’ve only ever consumed.
My opinion as an author and publisher is, however, irrelevant, which is why Howard’s view about setting an ebook price has to be given weight. The music industry stemmed the tide of piracy — only in as much as it has — by slashing prices and removing restrictions (like having to buy whole albums).
In short, there is plenty we can learn about setting our ebook price from pirates and the people who think theft is natural justice (robbing from rich artists to entertain poor consumers).
Ebooks are digital goods; DRM (which I don’t put on my books) can be cracked; and Howard’s argument about human rationalisation is solid if disappointingly so: if you set your ebook price at what the reader feels is reasonable — rightly or wrongly — the reader is less likely to steal it.
That doesn’t mean we can’t have a bit of fun with Howard and the idea that it’s reasonable for consumers to steal what they find too expensive…
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Chris Meadows has an interesting post on ads as a possible way to keep ebook prices down to thwart piracy. (Can ads in e-books fight piracy with low prices?)
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